#Name mangler user presets manual
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#Name mangler user presets manual

files I rarely need to access) and a manual backup of my Libraries drive (which I only execute after I installed a new library, a rare occurence). Mechanical USB 3 drives are relegated to my Archives (i.e. The same happens to the Project-related video files stored on the System Drive which are moved to a USB 3 drive named Video Archives.Īs a general rule, I wanted all my “day-to-day” files to be on SSDs with the fastest possible connection. When a Project is completed, I move its Project-related files to the Project Archives USB 3 drive to make space for new projects. Short of having all my project files on my system drive (which wouldn’t have enough space for all of them anyway), this guarantees fast read/write speeds (around 350MB/s), allows for quick loading of Logic sessions (with a huge amount of sample libraries), and insures fast Disk I/O during playback and recording. It holds up to four standard 2.5' SSDs and connects to the iMac via a Thunderbolt 2 cable. My Projects and Libraries drives are stored on SSDs loaded in a Multidock rack made by Blackmagic Designs.

#Name mangler user presets full

These files are voluminous in nature (especially when dealing with uncompressed Full HD video), but also require high read performance. files that should reside on the system drive for technical reasons or just to keep things tidy and simple (Dropbox, iCloud Drive, Photo library, Logic presets, etc.)Ĭ. System-related files (macOS, preference files)ī. I elected to only use it for the following specific set of files:Ī. Yet it’s also by far the fastest drive in my setup (almost up to 500MB/s read speed). The iMac’s internal drive cannot be easily upgraded, so its space is quickly limited. To understand the reasoning behind this design, here are some elements that I took into consideration: Below is, for example, my current drive set up. As always, personal preferences based on habits, usage and workflow will vary. Voluminous Project-related files (video, most typically)Įach type of files has different needs when it comes to ideal read/write speeds, access frequency, and back up requirements. Project-related files (DAW session files, audio files, documents, etc.) Personal documents (anything not related to specific projects) System files (anything that allows your system to run) As media composers, we typically deal on our workstations with a host of different files:

Your Files, Organizedīut before I talk about backing up data, it’s important to think about how you organize the different type of data that you use on a regular basis. As such, and based on more than a decade of experience dealing with large set of data and standard common sense practice, I designed my current rig so that, a) it insure the lowest chance possible of data being lost, b) it allows for easy and fast data recovery in case something does get lost, and c) all of that, at a cost I can actually afford.

#Name mangler user presets free

Drives ultimately die - yes, even SSDs natural disasters happen whether you want it or not and no one is ever completely free from human error. Unfortunately, no matter how careful you are, one of these is bound to happen at some point: you can be lucky for some time, but you won’t escape basic statistics. There are three common ways of losing data: technical failures (a drive that fails, for example), “ acts of God” (natural disasters, fires, etc.) and human errors. It might not destroy a career, but the ripple effects could be no less devastating that losing your personal photos. It is essential to plan well: outside of the emotional factor, losing any project-related data due to a poorly thought-out backup system could lead in worst cases to missed deliveries, damaged reputation, and financial liability. As working professionals dealing with huge amounts of data, however, where that data is backed up and how quickly we can expect to retrieve it can become quite a complex issue.